That Floating Excrement Was Far Too Symbolic! It's the Television Letdowns of the Year.

Looking back, we consider the TV landscape of the past year, a handful of shows emerge not for their excellence, but for their spectacular failures. Ranging from awkward spin-offs to bafflingly poor documentaries, here are the productions that had us utterly bewildered or simply reaching for the remote.

And Just Like That

How to start with this love/hate follow-up? Burdened with woeful writing, cringe-inducing arcs (we demand better for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the series struggled to find its footing. For a moment, as the final series started, it seemed as if it had at last found its groove. Then came an episode centered on Seema’s natural deodorant. Little surprise the creator announced this would be the final season. It concluded on a bum note; the closeup of Miranda’s toilet flooded with poo was simply too on-the-nose. Still, fans certainly found joy picking apart every single “what on earth?” episode. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who didn’t release a little sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was almost the smallest of this show's issues. The subject of a exceedingly uncommon zero star review, it was hard to know where to begin listing the flaws. The hilariously wooden writing? The mind-numbing veneration of affluence and consumption? The almost wilful procession of cliches? Acting so bad they felt borderline malicious? Suffice it to say “each and every one” and forget about this series again. Except, a second season has been ordered, so we’re probably going to have to.

The Charlie Sheen Documentary

Given the restraining orders, abuse claims and fatherly shortcomings, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d really have known it from this three-part docuseries which smirked its way at Sheen’s various episodes of reckless excess while failing to tell us a single thing we weren't already aware of. Instead, it felt as if this volatile personality was being indulged, so any sympathy this series might evoke should be saved for the people who have had to suffer close contact with this charismatic but flippant narcissist.

The Supercomputer Drama

Of course we understood it was ridiculous from the outset: a drama about a AI known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We stuck with it out of pure love for its stars … but by the end, it felt like even they had given up trying. One barely reacted when his character died, and the other ultimately hacking Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.

MobLand

Shady figures convening in empty boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.

In truth, that is harsh on the gangland dramas of the late 90s. Many look a bit dated now, but at least they didn’t endure the ignominy of having to accommodate unconvincing dialects. But there were plenty of other issues. Mainly that it was just profoundly dull; a conflict over narcotics territory between various London rogues which felt a bit basic.

The Meghan Markle Series

Considering the extent to which she provokes the ire of certain performatively angry commentators, it’s almost easy to admire the Duchess of Sussex’s televised forays into quaint lifestyle as intentional provocations. But then you view them and are compelled to concede that actually, they may have a point. It’s like watching a lifestyle catalogue come to life; a meme for wine o’clock with ideas of grandeur; a procession of snoozing dogs, buzzing beehives, Hallmark platitudes and forgettable crafting “tips” you’ll not remember instantly. All supported by vast, mostly undeserved wealth. Ugh.

Victoria Beckham

There are clearly interesting things to be discussed about both Victoria Beckham and her journey with vocation, identity, self-worth. But for some reason, this documentary series opted not to say them. Rather, the experience was akin to consuming a marketing brochure. She clearly has every right to resent what she describes as her “stern” image. But unfortunately, she didn’t do herself any favours with this cagey letdown of a series.

The Inheritance

It had the potential to be the next big hit – except even more extravagant, with a famous star playing dead and a well-known personality managing her inheritance. What more could you want? As players battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became bewildering: it’s still too confusing to explain what precisely was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The show ended up reeking of a programme that was trying way too hard to emulate something far greater than it.

Too Much

How does one follow a show that captured a generation? The pressure was enormous for this starry romantic comedy about Jessica, a hopeful New Yorker who lands in London with a shattered romance. The star took her biggest role by the horns and was a delight to watch, embodying Jane Austen levels of romantic notions. But it was all very glossy and, paradoxically, was insufficient. Plus, the sheer amount of famous friends involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘uneven’.

Given the smart recruitment of talented emerging comics, expectations were high. But unhappily, most of it didn’t land. A particular sketch was a one-note joke milked to a husk but repeated in every episode. One star seemed too ready to slip into a well-known irate mode. The behind-the-scenes sketches, in contrast, simply inspired the thought that they should probably have remained in there a while longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively showcased the perspective of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the tragic 2007 murder, this was not it. The material needed to be treated sensitively. Instead, the series laboured awkwardly to find the right tone, lumbering from strangely jaunty, slightly stylised farce to ultimately, real-life horror. Twisted? Arguably. A complete mess? Very much so.

The Maths Genius Thriller

We love the star … but did we buy him playing the greatest maths genius since, a man so intelligent he’s on the brink of a discovery that could destabilise society? Nope! This globe-trotting thriller about secret services spying on – and eliminating – academics honestly got more farcical by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This hagiography followed the online personality renowned for sexual exploits as she prepared for her biggest challenge yet. What on earth would possess her? What we craved was far greater interrogation of her true psyche, plus those of the men in the line. They could at least have spoken to the legendary mum who showed up to drag her son out of the queue. What we got was disturbing shots and absolutely no interrogation of her notoriety whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Jesse Jones
Jesse Jones

Lena Visser is an investigative journalist and storyteller based in Amsterdam, focusing on human interest and social issues.